Gloria Gallery presents the new exhibition of Susan Vargas, entitled VANITAS from 1 – 18 November 2024.
Susan Vargas was born in Bogotá, Colombia in 1963. From 1982 – 1986 she studied art in Agnes Scott College in Atlanta, GA., USA and in Florence, Italy. In 1987 she studied at the Hocshule fur Angewendete Kunst in Vienna, Austria. From 1988 to 1989 she did experimental theatre and video art at the Universidad Nacional de Colombia in Bogotá. During 1989 – 1990 she did a postgraduate course in art at the Cyprus College of Art.
In 1990 she started the “Praxis & Installations” with Rinos Stefani. In 1994 she participated in the Pan-Hellenic Art Symposium at the Famagusta Gate in Nicosia. In 1995 she did the installation “Road of Bread” in Apocalypse gallery, Nicosia. She participated in the installation “Sphere” 1998 and “SeaNet” 2000, both in the Akamas peninsula, Cyprus. In 1999 she represented Cyprus in the art project “Sail colony” in Samos Island and Thessalonica, Greece.
She has had 7 solo exhibitions and participated in many group shows in Cyprus, Greece, Colombia and the USA.
Art Theoretician Dr Nadia An axagorou, says:
“Susan Vargas develops a very personal idiom that ends up being universal in its origins, combining playfully and strongly while at the same time concentrating on European trends with the art of Cyprus and Latin America, where she comes from. the
In her appliqués, with the upright or inverted human figures, the limbs ending in autonomous existences, as floating palms or as inverted feet sinking into the water, with bulls and lions, fish and crocodiles, owls, eagles, hawks and all manner of flying and aquatic creatures, her landscapes and flower portraits function as a ritual eulogy to a universe, seen differently. Her paintings with the tiny people moving like puppets between tall buildings of big cities, manipulated, as it were, by evil forces, with the skulls and carcasses of animals next to the Crucified, with the Tower of Babel and the saving Ark of Noah, with human bodies bent and heads wedged in glasses, they constitute an elegy to life and death, to the suffocating loneliness one experiences when the psyche literally suffocates in conditions of isolation, among the crowd. Her work is raised as a cry of supplication that seeks release from dream-memories-nightmares and the comforting resurrection-elevation that the universe emits through the fluttering of a bird or the gentle touch of a cat.”
Niki Loizidis, Emeritus Professor of Art History, Athens School of Fine Arts states: “I believe that Susan Vargas ‘ multicultural experiences helped her to avoid frivolous and shallow association with artistic currents of the so-called postmodern aesthetics, which influenced the region in a way that I might call, culturally ‘neo-colonial’. Her charming thematic repertoire intertwines biblical narratives, stories from Cyprus and Latin America, bullfights and wars, themes of Greek mythology, migration, natural disasters, dreams, and personal myths. I would not hesitate to say that all categories of her works (textiles, oil paintings, drawings, constructions) express a spontaneous expressive immediacy often tender yet harsh, even violent but never simplistic. The Bull in the Art of Susan Vargas occupies a dominant position. Thus she paints a bull frolicking in the fields in the company of flying birds, or conversing with them in a ‘language’ that man, clinging to his reason, cannot conceive.”
Duration: 1.11 – 18.11.2024